Photo of subject |
Line drawing |
Tonal drawing |
Colour sketch |
Colour sketch version 2 |
at bottom, that nice red. Composition way to rectangular. Let's see what happens when I start to make a painting.
Final version .... |
Sunday 11th October
Spent 2.5 hours today continuing with this. Very difficult for me to work without reference to subject, I just go haywire. Played around with paint, turned pic every which way, tried to get more and more abstract but it still looks completely realistic.
- RH side worked better, LH side not quite complete.
- Difficult doing the slate roofs
- composition not very good basically to start with
- thinking about the shapes and how they interact and move around each other would have helped
- started to think about this
- altered shapes and colours a bit
- started by referring to memory and colour sketch, and then as usual turned to tone, then played with colour and then space and composition.
- 3 hour session not enough
- colours have gone a bit warm on the wall.
- things got simpler once I used wider brush:)
- need to return to subject or analyse and abstract more
- the white patch at the back very key, also way the lead roof comes forward, I think that down pipe is actually the support for the roof
- that shrub in foreground looks too dark
- very hard work anyway, feel drained and depressed
- how would I do it again? not sure, think about volume more from the start
- what would I do differently? - ditto VOLUME AND SPACE
COMPOSITION PLANNING
-what did I like? - unexpected results with paint, especially from different angle:)) I think the final version is better
- what did'nt I like? - usual depression and panic, but then followed by clarification
Below more on this, getting to know the colours - dull blues, brighter blues, greens bright and dull, bright light oranges and dull oranges ...
Final version |
Another go at this one. Painted over previous version and started again, also trimmed a bit off bottom of board. This one looks too blue here, but the composition and tonal pattern is better, it just feels stronger.
I worked very systematically, making a tonal sketch in acrylic, then mixing the colours carefully on a large piece of glass. Today I built on that. The main change was to increase the brightness of the grass and emphasize the strip of light behind the hedge. Also I have added detail in bottom rh corner, big help. Whew! Result.
No comments:
Post a Comment